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Grateful Dead Live at P.N.E. Coliseum on 1973-06-22




Set 1

Bertha
Beat It On Down The Line
Deal
Mexicali Blues
Box Of Rain
Bird Song
The Race Is On
Sugaree
Looks Like Rain
Row Jimmy
Jack Straw
China Cat Sunflower ->
I Know You Rider
Big River
Tennessee Jed
Playing In The Band

Set 2

Here Comes Sunshine
The Promised Land
Brown Eyed Women
El Paso
Black Peter
Greatest Story Ever Told
Big Railroad Blues
He's Gone ->
Truckin' ->
Nobody's Fault But Mine Jam ->
Bass Solo ->
Jam ->
The Other One ->
Wharf Rat ->
Sugar Magnolia
Casey Jones

Encore
Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Date June 22, 1973
Venue P.N.E. Coliseum
Location Vancouver, BC, Canada

Source MSR>PCM>DAT>CD>EAC>WAV
Taped by Main source discs provided by Andy Lemieux.
Transferred by encoding by Sean Cribbs.


Notes

This new fileset was re-tracked (Jam and tuning, etc. moved to end of tracks),
re-patched, and encoded in FLAC on 11/9/2007.

Main source discs provided by Andy Lemieux.
MSR>PCM>DAT>CD>EAC>WAV supplies Bertha through cut in The Other One (d4t04);
MAC>R>R>CD>DAT>WAV>SHN (from shnid=16889) supplies various patches and Johnny B. Goode (see below);
MSC>R>C>WAV>FLAC (from shnid=85957) supplies patches in The Race Is On (d1t07) and I Know You Rider (d2t05)
MSR>C>DAT>CD>EAC>WAV supplies end of The Other One (d4t04) through end of set 2.

EAC extraction, editing using Cool Edit Pro 2.0, and FLAC encoding by Sean Cribbs.
Shntool was used to verify/correct all track sector boundaries.

Reviews

Reviewer: njpg - - June 25, 2013
Subject: -
This Other One is one of the more astonishing things I've ever heard. Great Sound. A variable, intense show.
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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( 2 reviews )
Source: flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo